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Kundalini
Kundalini started its activity back in 1996, when it developed the intuition of a new typology
of lamps defined as “Objects of inner Illumination”: lighting design products conceived to
create evocative and harmonious light atmospheres and have a positive impact both on the
inner life and on the ambient.
This corporate mission, which is expressed in the claim “Extra-sensorial Design”, has since
the start contrasted most of the lighting productions of a rationalist nature which were
fashionable in that period and which mainly intended to hide the light source and promote
an environment characterised by volumes of reflected light.
The development of the company’s project has led to the creation of extremely innovative
forms of light, which are characterised not only by an aesthetic, but also an ecstatic
connotation. These luminous bodies establish emotional relations with those who observe
and experience them, thus influencing their perceptions in a positive and deeply relaxing
way. Right after its début, Kundalini extended its collection also to furniture and furnishings,
introducing biodynamic and neo-ergonomic elements into the classic form/function
equation which were extremely innovative and designed for an ideal well-being of the body
and the spirit.
Since then this “young” company has been considerably successful, to the point of being in
Italy and abroad one of the most published companies in its field. But the great visibility
of Kundalini in the media has gone well beyond the strictly professional area of design
specialists, since its products have frequently appeared in international movie productions,
advertisements, television programmes and video-clips. Historic products such as the floor
lamp E.T.A., the collection of lamps Shakti, the armchair Hara and recently the lamp Bokka
or the Gherkin edition have already become cult icons for the media worldwide.
Kundalini has been classified by the international contemporary design community as a
pioneering company not only for the development of the new themes that it has introduced
and which are now very widespread, but also for the innovative spirit of its style and the
advanced research work in new production technologies and new materials. Evidence of
this is provided by the invention of bicolour co-extrusion or the serial use of laser-sintering.
Kundalini is considered as a cutting-edge company also for its ability to revisit traditional
craftsmanship techniques in a contemporary key, from the ecological fibreglass products of
the beginning to the Murano blown or plated glass of the latest projects.
Ten years after its creation, Kundalini is now a company with extensive experience, which is
still oriented towards the identification of cutting-edge research solutions and can count on
the co-operation of designers and architects who share its innovative spirit.
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